Like my phone notes app, a pen and a supermarket receipt, subway tickets, diaries. My creativity comes in phases, so I can write a lot very quickly, but the editing process afterwards often takes very long, and it goes hand in hand with the challenge of not ending up hating and abandoning what I wrote a few weeks before. Probably actually finishing the work I have started. What is the most challenging aspect of your creative process? I also read a lot of German fairytales and my absolute favourite book until today remains The Little Prince. I loved Astrid Lindgren’s Ronja Robber’s Daughter and the Brother’s Lionheart, Michael Ende’s Momo and the Neverending Story, Ottfried Preussler’s Krabat, Roald Dahl’s Matilda, but also, like most kids of my generation, books about a certain boy wizard. Her piece ‘Somnambulism’ can be found in EPOCH Issue 02: Aftermath, available to purchase here. Her poetry is primarily concerned with themes of ecology, ecological crisis and our connection to the natural world. Inanna Tribukait was born in the Black Forest in Germany.
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